Malraux’s imaginary museum has become a reality of our digital age. Everyday, a massive amount of different new visual, textual, and transactional data is added to this vast archive. How do we decide what bits of contemporary digital culture to preserve, study and curate given that its universe is constantly expanding?
A selection of papers presented in the Media Art Histories 2013 Renew conference held in Riga, Oct 8–11, 2013, and visual review of the Save As exhibition (2013). The book also includes new texts, as it is being published in connection with the Renewable Futures conference and Data Drift exhibition in Riga Oct 8–10, 2015.
Editors: Rasa Smite, Lev Manovich, Raitis Smits
2015
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